Category: Movie & Cinemax

Education Online Movie and Cinema Information

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Online Cinema Education instructors are usually people who have ever been in the industry or continue to operate in this sector. Many of the artists and are able to share their knowledge and experience working in the Cinema industry. Before signing up for any online video category, make sure the instructor has the experience and accreditation necessary to provide the training you need. Courses are designed in different ways. Some forums offer so that other students can interact with each other. There are many ways to facilitate communication with classroom teachers and classmates online.

Many courses are offered online video lessons. This training will be more of everything you need to know about creating and editing home video. They are very helpful when it comes to technical aspects of Cinema making. Video links frequently shows you how to use some video equipment. This is to better understand the visual instructions, not just text. If a student has any questions can call or e-mail to the instructor. Each online course has its own way to communicate with their students.

There are many different ways to find the movie online. Some of them also send their students to a set of CD-ROM to supplement the online training. CD or DVD usually go for more information and to strengthen the topic that was discussed during the on-line. There are also text information that can be downloaded from the site to provide additional educational materials.

It is important to choose a comprehensive online training video. Cinema Education is far more than just the actual shooting image. You have to know how to write scripts, create a budget for the Cinema to understand the complex theory of Cinema and many other factors. All this is possible, an online Cinema Education, but you will need to carry out research to find the best fit for you.

Credit: Best Film Schools Blog: Bestfilmschools.blogspot.com Author: Ace Akina

Cambodian Documentary Wins Cannes Prize for Innovative Cinema

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CANNES – A documentary using small clay figurines to tell the story of how Cambodian filmmaker Rithy Panh’s family perished under the Khmer Rouge regime won the top prize in the second most important competition at the Cannes film festival on Saturday.

L’Image Manquante (The Missing Picture) was among the 18 films that premiered in the Un Certain Regard category that was set up to encourage emerging and innovative filmmakers and run alongside the main competition at the world’s top film festival.

Panh, 49, a prolific filmmaker whose films concentrate on the brutality in Cambodia when an estimated 1.7 million people were killed during the 1975-79 Khmer Rouge regime, said the prize was important for his country.

For a country that has emerged from its difficulties and years of war, it is important to say we are still alive,” Panh told Reuters after receiving his award at a red carpet ceremony in the French Riviera resort.

The jury led by Danish director Thomas Vinterberg, whose film Jagten (The Hunt) won Mads Mikkelsen the best actor award at Cannes last year, described the documentary as one of the most powerful films I have seen in many years”.

The runner-up was Omar by Palestinian director Hany Abu-Assad, a political thriller involving Palestinians living under Israeli occupation in which a young baker, Omar, is tortured by Israel’s secret police to betray his friends.

Omar, which was shot in the West Bank and Israeli-Arab town of Nazareth last year, received a standing ovation at its premiere as the first film fully funded by the Palestinian cinema industry.

It is the only festival that I think still cares about different films,” said Abu-Assad, known for the 2005 award-winning film Paradise Now, as he received his award.

Another director in Un Certain Regard to get a standing ovation was Iran’s Mohammad Rasoulof who was jailed in 2010 for anti-regime propaganda but came to Cannes this year with Manuscripts Don’t Burn, shot in secret in his home country.

The non-professional actors of La Jaula de Oro (The Golden Cage), a film about three young Guatemalans trying to cross the Mexico-U.S. border from director Diego Quemada-Diez won an award for best cast.

Samsung Home Cinema Systems Vs Lg Home Cinema Systems

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Initially, going to the movie halls was the only option people had to enjoy watching movies. But now, things are different. Home cinema systems have made watching movies at home just as much fun as going to movie halls. There are many companies who have launched their home theatre systems. This article provides a comparative analysis of Samsung and LG Home Cinema Systems.

Sales revenue and features

Sony is the most popular brand when it comes to consumer electronics like LCD TV or home theatres. However, its very highly priced. The features and quality of LG and Samsung Home Cinema Systems are comparable as they fall in almost the same price bracket. When you look at the sales revenue, Samsung is presently ahead of LG. Samsung also provides for better and more advanced features as compared to LG home theatre.

Sound output

When we talk of middle price segment(5.1 channel, 300 to 350), both Samsung and LG home cinema systems have their own positives and negatives .In comparison to Samsung, the sound output of LG is better in almost all models available in LG home theatre. The speaker types that can be used with Samsung home cinema system are multimedia and powered. You can also use an extra pair of rear speakers without having to use any cable. The speaker types in LG are also powered but are enabled with surround system.

Other features (same price segment)

MP3 and CD/DVD players are the player components that are common in both LG and Samsung home theatre systems. But there are other player components that are found in LG home cinema system. These are A/V receiver and radio tuner. Samsung home cinema systems can playback only DVD and DVD audio, whereas LG can also play CD, and DVD-R/RW along with DVD. Playback file formats in both Samsung and LG systems are DivX and MP3. Both the home cinema systems have theatre DSP soundfield.

Conclusion

Be it audio quality or other features, all differ from model to model. Some features are better in LG, while Samsung fares better in others. Therefore, it is hard to say which home cinema system is better. It is just a matter of your personal preferences and the money you are ready to shell out to buy your home cinema system. Both LG and Samsung offer good after sales services. Although Samsung truly boasts of a bigger market share, LG scores better because of better speakers and sound quality.

Where To Get Real Home Cinema Seating

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Home cinema seating has been available for a pretty long time now, and there are several diverse options for the purchaser who is looking to create their perfect home cinema.

An option, that some people go for (for the most part because they view it as the only option) is the big recliner style home cinema chair, similar to those notably sat on by Joey and Chandler in Friends! The primary obstacle using this type of chairs is its bulk. It is simply so huge that within a average home cinema garage conversion, you possibly can only fit in 1 or 2 chairs. It is usually incredibly expensive – a large reclining leather home cinema chair can cost upwards of a thousand pounds.

Groups of these types of seats are also obtainable, however once more they’re costly and use up an awful lot of room.

You can even use ordinary sofas & chairs, like you would have in your lounge. But this does not in that case classify your home cinema as being a cinema – it just seems like a lounge with no windows! And once more, bulk is a problem, because you will be unlikely to fit a lot of chairs into the limited quantity of space that you have. Furthermore if you’d like to gather relations & friends round for movie nights and big sporting events, the very last thing you should do is to ask people to sit on the ground.

You can find nowadays another choice – simply purchase the exact seats you sit on in the local cinema! There are several benefits to this. You’re able to fit a lot of these home cinema chairs in a comparatively small room. Organizations that sell these chairs additionally make available design and installation services, therefore they’ll tell you how many that you can fit in your home cinema space, and will install them for you. This assists you to you to take full advantage of every single cm of space.

If you’re budget conscious when searching for home cinema seating, these home cinema chairs could also be a incredibly good way of making a big saving, without compromising on stylishness & comfort. You’re even able to buy factory refurbished cinema seats which have previously been installed in multiplexes at considerable mark downs, from under 100 per chair. Envisage having the ability to kit out a ten-seater home cinema and spend lower than 1000 on home cinema seating.

To search out this sort of home cinema seating, take a look around the internet and dont overlook to check on ebay to check what is offered, you may get a tremendous bargain.

Flat Screen Televisions Vs Going To The Cinema

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Years ago, when cinema first became popular, for a lot of people it was the only way for them to see movies, because most of them didn’t have their own televisions. The thing is though, cinema has always had a much better quality viewing experience than home televisions, so it has remained the ultimate way to experience a movie.

The Invention of Video Tapes

For a long time, the one problem with both cinema and TV is that you needed to watch a film at a specific time. With the invention of home video systems such as VHS and Betamax, movie fans were able to either record films from the TV or rent films from a video library. However, there was still the problem of quality, as cinema was still a far superior experience than watching a video at home.

The Rise of DVDs

Part of the quality issue was dramatically improved with the invention of the DVD. DVD meant that anyone could watch very high quality digital video at home. Unlike VHS tapes for example, DVDs didnt wear out or degrade over time, as long as you didnt get the discs scratched. From the 1990’s onwards, DVDs became extremely popular amongst movie fans. The only problem was, unless you had an extremely large TV screen and a very expensive sound system, you still wouldn’t get the same experience as the cinema.

The Experience of Home Cinema

Nowadays, the true home cinema experience is becoming much more of a reality for many people, as they buy large widescreen TVs and high quality speakers. For example, with a plasma TV screen of 50 inches or more, and being sat closer to the screen than you would be in a cinema, youre going to get a very cinematic feel. And you wont miss having someone sat behind you who wont stop talking through every scene.

Reasons to Visit the Cinema

However, even with home cinema quality jumping forwards in leaps and bounds, dont you think theres still something missing? Theres just something about actually going out to the cinema. It gives you a reason to spend time with your friends and experience something together. And lets face it: in all honesty, the experience at home really isnt quite as good as the full blown cinema experience, is it?

Why You Should Still Stay at Home Instead

The only problem with visiting the cinema is that it costs you more money than it does to just stay at home with a DVD. But also, when you’re at home, you can fit your movie watching around the other things you want to do. You can also eat your own food. Just relax and watch your favourite movie while eating your dinner.

The First Days of Hollywood Cinema Techniques

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The earliest hollywood cinema movie cameras were strapped immediately on to the mount of their tripod or alternative support, with only the crudest kind of levelling equipment provided, in the manner of the still-camera tripod heads of the hollywood period. The original film cinema cameras were thus effectively motionless during the course of the shot, and therefore the very first camera movements were created by fixing a camera on a moving car. The earliest documented, well before cinema or hollywood, of these was movie shot by a Lumire cameraman from the back platform of a train departing Jerusalem around 1896, and by 1898 there were ,amy more cinema movies shot from moving vehicles, Hollywood was beconing. Although categorised under the general heading of -panoramas- in the sales catalogues of the time, those movies shot directly forward looking out from the front of a railway engine were specifically described as -phantom rides-.

Back in 1897, Robert W. Paul inventeed the original notable rotating camera mount manufactured to be placed 1on top of of

on} a tripod, so that he could follow the passing parade of Queen Victoria’s Diamond Jubilee in one uninterrupted cinema shot. The attachment had the camera set on a vertical setting which was moved using a worm gear driven by rotating a handle, so Paul distributed it on public sale the subsequent year. Movies made with such a “panning” head were also referred to as -panoramas’ in hollywood listings of the very first decade of cinema.

The standard pattern for early movie studios in Hollywood was provided by a studio that Georges Mlis built in mid- 1891. The studio had a glass roof and three glass walls constructed after the model of vast studios for regular photography, it was also fitted with thin cotton cloths that were stretched below the roof to diffuse the bright ray of the sun on sunny mornings. The delicate overall light devoid of real shadows that this construction produced, and which also exists naturally on moderately overcast mornings, was to become the standard for cinema film lighting in hollywood movie studios for the next few years.

Unique amongdt all the short hollywood cinema movies shot by the Edison studio, that recorded parts of the shows of variety performers for its Kinetoscope cinema viewing machines, was The Execution of Mary, Queen of Scots. This depicted a person adorned as the queen putting her head on the execution block in front of a small group of bystanders in period dress. Desperate for internet surfers searching for cinema or hollywood, then consider purchasing for cinema, cinemas, watch movies, hollywood and hoyts optimised traffic.

Kordor Electronics Releases Digital Cinema Movie Distribution Technology

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Kodor Electronics gives a boost to the digital cinema initiative today with the release of the KodeKey Professional Zip Platform for Windows and Mac OS X computer systems.

Movie studios are expected to make wide investments in digital cinema upgrades in 2009 following a ten-year research and development period starting with the 1999 digital release of Walt Disney Pictures Bicentennial Man. Digital films are packaged and distributed using an industry standard specification called the Digital Cinema Package (DCP). Part of the DCP specification is the digital film MXF container that can range in single file sizes of 60GB to 500GB. Today, digital films are delivered by hard drive or satellite data transmission using fulfillment services from companies like Technicolor, Kodak, and Deluxe. Legacy celluloid reel manufacturing and distribution costs movie studios up to $1500 a print per theater. Digital distribution provides a dramatic drop in initial distribution investment for movie studios but has proven to be a bit costly due to hard drive delivery and expensive satellite rental time. The cost savings reserved from digital versus celluloid distribution is planned for investments into digital projector upgrades for theater vendors by the movie studios.

Delivering a system with an average per film distribution cost of $70, the KodeKey Zip technology is an online powered zip format that replaces the internal data storage of a traditional zip file with the cloud storage infrastructure of the Amazon Web Services S3 platform. By using an upload and download manager, the format can manage hundreds of gigabytes of data in a zip file less than 1 kilobyte in size per movie.

Optionally, the format can create 1,344,000-bit password certificates to add additional access protection as an accessory to KDM encryption keys sent to theater vendors to unlock playback rights for MXF containers.

Broadband delivery of digital films has been a challenge in the past due to poor TCP connections and poor designs of online storage servers required to handle single file sizes above 5GB. KodeKey Zip has been tested and approved for up to 1TB of single file archiving validated by rigorous 12-mode hash string calculation certification.

“KodeKey Zip has been designed to easily deliver 300GB digital films as an e-mail attachment to thousands of theaters simultaneously”, says inventor and Chairman William G. Blanchard, “We are honored to work with the digital film initiative and look forward to provide support to the digital movie industry worldwide.”

Compose your perfect video with Dancan Cinema Services

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AD strips are those types of instruments which used for the detection of vinegar syndrome. This vinegar syndrome is a form of chemical deterioration which is oftenly found in movies collections. Also this vinegar syndrome can cause a wide number of problems such as film shrinking, brittle and buckling. Moreover these AD strips are acidic which contains acid vapour and therefore it changes its colour. The damage of these AD strips can also be measured and compared by the pencil which indicates of how far the damage to AD strips has occurred. Therefore these AD strips must be stored in a proper place in order to avoid its deterioration. It must be contained or stored In Micro Chamber Boxes which avoids it to retard further. Also these AD strips are sold in packages of 250 strips which even consist of a pencil and it helps in checking the deterioration of AD strips. This pencil also resides four bands of colour which helps in checking the level of acidity and also the AD detector strips. Moreover these packets even inhabit a guide which helps in knowing the basics and other more useful information’s about the AD strips. >

Furthermore this AD strips present the safe and reliable methods for measuring, detecting and recording the severity of vinegar syndrome in Film collections. Also these AD strips hold tweezers which is used for handling the strips and also to avoid contamination. Additionally there is a glass stopper jar which is employed for controlling the strip. Therefore in order to check and make use of efficient AD strips one must follow the procedure and then only use it for further procession in making of a film. Also it is surveyed that there is a direct relation between the AD strips level and preservation state of a film. Therefore these AD strips must be stored in a cool place such as cold storage. Even these AD strips can be ordered from various online sites which offer its users the most cost effective and efficient AD strips.

In addition the Film can play an important role in the movie sector. It consist of several cities movie timings and theatres venues such as Ontario, Ottawa and domains of United States. This film can inhabit a wide array of television and movies series which are to be broadcasted. It even consists of the show timings and places such theatres where the movies or the films are telecasted. Viewers can check this Film can zone and as per their convenience they can avail the tickets of their movie. Also these Film can helps the spectators in saving their time as it serves an online option for booking the movie tickets.

Leading Dancan Cinema Services with Filmcan and AD Strips : To know more about Filmcan and AD Strips kindly visit Dancan.dk

A Short Inception Of Hollywood Cinema Techniques

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The first hollywood cinema movie cameras were attached directly on to the head of its tripod or alternative support, with just the crudest sort of levelling tools provided, in the manner of the still-camera tripod heads of the hollywood period. The earliest movie cinema cameras were hence resolutley static during the course of filming, and hence the very first equipment movements were thanks to fixing a camera on a moving truck. The original documented, well before cinema and hollywood, of these was movie shot by a Lumire cameraman from the rear carraige of a train departing Jerusalem in 1896, and by 1898 there were lotsof cinema movies shot inside moving trains, Hollywood was beconing. Despite listed under the confusing heading of panoramas in the sales catalogues of the time, those movies shot immediately forward from in front railway engine were usually referred to as phantom rides.

Sometime in 1897, Robert W. Paul had the very first notable moving camera mount manufactured to put 1on top of|on} a tripod, so that he could track the passing parade of Queen Victoria’s Diamond Jubilee in unique uninterrupted cinema shot. The device had the equipment set on a vertical axis that could be moved with a worm gear driven by cranking the handle, so Paul placed it on public sale the next year. Films made with such a “panning” camera were also known as panoramas in hollywood listings of the earliest decade of cinema.

The standard setup for newy cinema studios in Hollywood was provided by the studio which Georges Mlis erected in May 1891. It had a glass roof and three glass walls made after the model of large studios for static photography, it was also fitted with flimsy cotton drapes that were stretched below the roof to eliminate the bright ray of the sun on brilliant days. The natural overall light devoid of real shadows that this setup delivered, and which also happens naturally on moderately overcast days, became the standard for cinema movie lighting in hollywood film studios for the next decade.

Unique within all the short hollywood cinema movies priduced by the Edison studio, which recorded pieces of the shows of variety performers for its Kinetoscope cinema viewing devices, was The Execution of Mary, Queen of Scots. The film portrayed a person dressed as the queen putting her head on the execution block in front of a small gathering of bystanders in Elizabethan apparel.

Transformation Of Indian Cinema

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The period often correlated with modern Indian cinema is supposed to have begun in 1970’s when commercial cinema came forth as a means of recreation for the general public and this continues with the contemporary Indian cinema today. Although directors like Govind Nihilani, Shyam Benegal and others kept the flame of artistic movies alive, the commercial cinema surpassed the artistic cinema by leaps and bounds.

The influence of mainstream movie industry kept on increasing in 1980s and 1990s. With the release of movies like Tezaab, Maine Pyaar Kiya, Kayamat se Kayamat Tak and Chandni in 1980’s and Darr, Baazigar and Dilwale Dulhania Le Jayenge in 1990’s, the trend of romantic cinema held ground. Such romantic movies told emotional love stories of young couples who after many adversities get married and stay happily ever after. Some of these romantic movies were very big hits and broke box office records.

The trend of romantic Bollywood movies continued in late 1990’s and early 2000’s with the release of hugely popular movies like Hum Dil De Chuke Sanam, Kabhi Khushi Kabhi Gham and Kuch Kuch Hota Hai. Interestingly, the art cinema re-emerged by late 1990s as many movies including Traffic Signal, Chandni Bar and Satya received good critic reviews. These modern Indian movies were a refreshing change at the time when uninspired romantics were the order of the day and they proved to be memorable experience for the viewers.

Numerous movies with big budgets including Veer and Mein aur Mrs Khanna were not well received, and surprisingly, DevD and other small budget movies have done well. This has lead to fresh and unique stories being favored among the Bollywood producers and directors.

The present trend in the Indian movie industry is to try new themes and storylines. Movies like Three Idiots and My Name is Khan have experimented with new subjects and have been hugely successful. The modern Hindi movies are bringing in a fresh new experimental wave of cinema, which is being more than welcomed by the Indian cinema audience.

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